Maximum Exposure was a SAW project supported by Arts Council England’s Grants for the Arts Funding Programme. The project has supported SAW in developing curatorial skills within the organisation and the county's wider artist community. The funding offered SAW the opportunity to develop new commissions, to work with a Guest Curator and to develop a curatorial toolkits for artists in Somerset.
The project included developing a series of new visual arts commissions, exposing enigmatic or unknown aspects of Somerset. The project aims to attract new audiences through bringing new and dynamic work to the region, and through a series of associated events.
Between October 2011 to April 2012, SAW appointed Guest Curator, Karen Gaskill to support the overall delivery of the project. We worked with Karen to select and deliver new commissions, exposing enigmatic or unknown aspects of Somerset, by three international artists, Karen Guthrie, Barber Swindells (Claire Barber & Steve Swindells) & lluminos (Matt & Rob Vale).
Also we worked with international artist designer collective, Konvertible (Lisa Cheung & Sammy Delgado Escobar) to deliver a collaborative project with local artists and makers, Cafe Konvertible in Art Weeks 2011 and Hip Hawker in December 2012.
We have now developed Creative Endeavors: A curatorial guide for artists in Somerset. For more information please contact the office or download the toolkit by clicking the link above or from the bottom of the page.
Working with Guest Curator, Karen Gaskill, SAW successfully selected three projects for the Maximum Exposure commissions. Selected for their vision and originality, each project considers through its subject matter a challenging aspect of Somerset culture.
lluminos are a lighting designer and film/installation artist brothers. Using website, archive, projection and endurance, for Maximum Exposure Illuminos created a unique video projection event along the Taunton Stop Line. Built during World War II, the Taunton Stop Line consists of hundreds of ‘pill boxes’ - military bunkers designed to stop a potential German advance from the west. Between Friday 24th February & Sunday 4th March 2012, the pillboxes were illuminated and projected upon in turn, using imagery and iconography from the structures original usage. For more details www.tauntonstoplinelive.co.uk
Karen Guthrie is an artist and film-maker based in rural Cumbria. For Maximum Exposure she wanted to creae a video work about the context and culture within and around the prison, HMP Shepton Mallet. Prisons are often positioned near rural, often-affluent communities for whom the institution creates ambivalent and complex feelings, with care often being taken to conceal the presence of the institution from tourists and locals. Guthrie’s work would explore the duality and connection of these two worlds. Due to unforseen circumstances this project could not be completed.
Claire Barber and Steve Swindells form the artist collaboration Barber Swindells. For Maximum Exposure Barber Swindells responded to the history and current industry of glove making in Yeovil and the surrounding district. Their final commission focused on work wear manufacturers Smallcombe Bros who make 80% of fire crew gloves used in the UK. The work launch in June 2012 at Foundary House at Yeovil and shown outsite during the public event in Yeovil in September 2012.
SAW was delighted to appoint Karen Gaskill as guest curator for the project. Karen took an overview of the commissions and create the project's overall identity. Karen also was responsible for commissioning a piece of critical writing about two of the commissions by Sally O'Reilly which can be download below.
Karen Gaskill is an independent curator and freelance researcher based in London, UK. Karen works nationally and internationally across independent venues and commercial gallery spaces. Recent exhibitions include Constellations at Cornerhouse Gallery, Manchester, co-curated with Michelle Kasprzak; the co-curation of the FutureEverything 2010 arts programme, and Save Us, Macclesfield, July 2010.
She has a PhD in Social Curation, an MRes in Fine Art and a BA (Hons) in Fine Art Textiles.
Cafe Konvertible (September 2011)
International artists group Konvertible (Lisa Cheung and designer Sammy Delgado Escobar) used a 1970’s classic VW Camper Van as a mobile, collaborative design studio. The studio toured venues around Somerset, inviting participants to attend free craft workshops on the theme of café life. Café ‘Konvertible’ worked with more than 200 participants, amateurs and professionals, using found materials to create objects unique to each area. Cafe Konvertible is co-curated by Lisa Cheung & Zoe Li.
Hip Hawker (December 2012)
Konvertible visited Somerset again in Decmber 2012 to work with artists in Somerset, Fiona Campbell, Sarah Conway-dyer, Gary Dickins, Liz Green, Fiona Hingston, Leah Hislop, Lucy Lean and Tracy Nesbit to construct an imaginative, unique pop-up kiosk called, “Hip Hawker” to display products from Cafe Konvertible. The kiosk exhibited in Taunton Library from 11th to 29th December 2012. The Kiosk is now available for tour.
Bruton School for Girls, Somerset
Thursday 29 September 2011, 6-8pm
Maximum Exposure curator Karen Gaskill discussed her curatorial overview for the project, and joined by the selected artists who presented their project approaches.